Trancendence
30s preview
- BPM
- 120
- Open Key
- 4m
- Energy
- 86/100
- Pop
- 6/100
- Length
- 8:48
- Released
- 2017
- Album
- Mesmerizing / Trancendence
- Genre
- Progressive House
- Label
- GU Music
- Loudness
- -11.2 dB
- Dynamics
- 8.4 dB
- ISRC
- GBHFW1700139
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trancendence - Andy Arias Remixremix8A · 112
- Trancendence - Ian Dillon Remixremix10A · 120
Trancendence: club-tempo progressive house, F♯ minor (11A), 120 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Slower than 94% of Marcelo Vasami's catalogue.
- Groove:
- groovier than 84% of Marcelo Vasami's catalogue
- Reach:
- better known than 81% of Marcelo Vasami's catalogue
- Energy:
- hotter than 80% of Marcelo Vasami's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Trancendence in?
Trancendence by Marcelo Vasami is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Trancendence?
Trancendence runs at 120 BPM, a club-tempo track.
What mixes well with Trancendence?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Trancendence good for peak time?
With energy 86 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Marcelo Vasami
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
