Unserious
30s preview
- Key
- 6A · G minor
- BPM
- 127
- Open Key
- 11m
- Energy
- 40/100
- Pop
- 3/100
- Length
- 6:18
- Released
- 2019
- Album
- Unserious EP
- Genre
- Techno
- Label
- Trapez
- Loudness
- -12.6 dB
- Dynamics
- 9.8 dB
- ISRC
- DEBW21900007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Unserious sits in G minor (6A) at 127 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 89% of Marc Houle's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- brighter than 82% of Marc Houle's catalogue
- Tempo:
- faster than 79% of Marc Houle's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Unserious in?
Unserious by Marc Houle is in G minor, or 6A on the Camelot wheel.
What BPM is Unserious?
Unserious runs at 127 BPM, a peak-time tempo track.
What mixes well with Unserious?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Unserious good for peak time?
With energy 40 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Fall From Grace - (Audiojack Remix) [Edit] by Just Her cover art](https://i.scdn.co/image/ab67616d00001e02a0864580700f91d5096e11d6){kind=small}
How to mix it
In 6A at 127 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Marc Houle
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
