The Love Part One
30s preview
- BPM
- 127
- Open Key
- 3d
- Energy
- 42/100
- Pop
- 1/100
- Length
- 8:48
- Released
- 2016
- Album
- Monark
- Genre
- Techno
- Label
- Solar Distance
- Loudness
- -12.4 dB
- Dynamics
- 7.9 dB
- ISRC
- QMEU31514612
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Love Part One: peak-time tempo techno, D major (10B), 127 BPM. It reads as dark and steady. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Faster than 97% of Fideles's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 96% of Fideles's catalogue
- Energy:
- calmer than 94% of Fideles's catalogue
- Low end:
- more bass-heavy than 87% of Fideles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is The Love Part One in?
The Love Part One by Fideles is in D major, or 10B on the Camelot wheel.
What BPM is The Love Part One?
The Love Part One runs at 127 BPM, a peak-time tempo track.
What mixes well with The Love Part One?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Love Part One good for peak time?
With energy 42 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Fideles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
