Mami (feat. BIA) by Luciano cover art

Mami (feat. BIA)

Luciano

30s preview

Key
3B · D♭ major
BPM
142
Half-time
71
Open Key
8d
Energy
64/100
Pop
1/100
Length
2:58
Released
2023
Genre
Dancehall
Loudness
-6.0 dB
Dynamics
9.1 dB
ISRC
DECE72302424

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Mamioriginal3B · 142

Mami (feat. BIA) is a driving up-tempo dancehall track in D♭ major (3B) at 142 BPM. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 84% of Luciano's catalogue. In a set it works best as a high-intensity peak cut.

Brightness:
darker than 76% of Luciano's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood32Dark
Groove76
Acoustic1
Instrumental0
Live17
Speech26

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Mami (feat. BIA) in?

Mami (feat. BIA) by Luciano is in D♭ major, or 3B on the Camelot wheel.

What BPM is Mami (feat. BIA)?

Mami (feat. BIA) runs at 142 BPM, a driving up-tempo track.

What mixes well with Mami (feat. BIA)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Mami (feat. BIA) good for peak time?

With energy 64 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 142 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#Track

More dancehall

#Track

More from Luciano

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track