SUICIDE DOORS by Luciano cover art

SUICIDE DOORS

Luciano

30s preview

Key
4B · A♭ major
BPM
140
Half-time
70
Open Key
9d
Energy
42/100
Pop
39/100
Length
3:07
Released
2021
Genre
Dancehall
Label
Urban
Loudness
-8.5 dB
Dynamics
12.4 dB
ISRC
DECE72006824
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

SUICIDE DOORS is a driving up-tempo dancehall track in A♭ major (4B) at 140 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 86% of Luciano's catalogue. In a set it works best as a warm-up or breakdown cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood34Balanced
Groove84
Acoustic54
Instrumental0
Live13
Speech50

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is SUICIDE DOORS in?

SUICIDE DOORS by Luciano is in A♭ major, or 4B on the Camelot wheel.

What BPM is SUICIDE DOORS?

SUICIDE DOORS runs at 140 BPM, a driving up-tempo track.

What mixes well with SUICIDE DOORS?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is SUICIDE DOORS good for peak time?

With energy 42 out of 100 at 140 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#Track

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 140 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

More dancehall

#Track

More from Luciano

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track