Never Know (feat. SHIRIN DAVID)
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 8m
- Energy
- 54/100
- Pop
- 51/100
- Length
- 3:17
- Released
- 2020
- Genre
- Dancehall
- Loudness
- -7.1 dB
- Dynamics
- 10.2 dB
- ISRC
- DECE72000468
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 142 BPM in B♭ minor (3A), Never Know (feat. SHIRIN DAVID) is a driving up-tempo dancehall production. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 88% of Luciano's catalogue.
- Reach:
- better known than 85% of Luciano's catalogue
- Groove:
- groovier than 84% of Luciano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Never Know (feat. SHIRIN DAVID) in?
Never Know (feat. SHIRIN DAVID) by Luciano is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Never Know (feat. SHIRIN DAVID)?
Never Know (feat. SHIRIN DAVID) runs at 142 BPM, a driving up-tempo track.
What mixes well with Never Know (feat. SHIRIN DAVID)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Never Know (feat. SHIRIN DAVID) good for peak time?
With energy 54 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More dancehall
More from Luciano
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.