Never Know (feat. SHIRIN DAVID) by Luciano cover art

Never Know (feat. SHIRIN DAVID)

Luciano

30s preview

Key
3A · B♭ minor
BPM
142
Half-time
71
Open Key
8m
Energy
54/100
Pop
51/100
Length
3:17
Released
2020
Genre
Dancehall
Loudness
-7.1 dB
Dynamics
10.2 dB
ISRC
DECE72000468
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 142 BPM in B♭ minor (3A), Never Know (feat. SHIRIN DAVID) is a driving up-tempo dancehall production. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 88% of Luciano's catalogue.

Reach:
better known than 85% of Luciano's catalogue
Groove:
groovier than 84% of Luciano's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood48Balanced
Groove87
Acoustic6
Instrumental12
Live18
Speech34

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Never Know (feat. SHIRIN DAVID) in?

Never Know (feat. SHIRIN DAVID) by Luciano is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Never Know (feat. SHIRIN DAVID)?

Never Know (feat. SHIRIN DAVID) runs at 142 BPM, a driving up-tempo track.

What mixes well with Never Know (feat. SHIRIN DAVID)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Never Know (feat. SHIRIN DAVID) good for peak time?

With energy 54 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track