Jean Paul Gaultier
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 8d
- Energy
- 46/100
- Pop
- 55/100
- Length
- 2:24
- Released
- 2019
- Album
- MILLIES
- Genre
- Dancehall
- Label
- Urban
- Loudness
- -9.6 dB
- Dynamics
- 11.6 dB
- ISRC
- DEUM71902837
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Jean Paul Gaultier: driving up-tempo dancehall, D♭ major (3B), 140 BPM. The feel is balanced in mood. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 89% of Luciano's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 87% of Luciano's catalogue
- Low end:
- more bass-heavy than 85% of Luciano's catalogue
- Energy:
- calmer than 79% of Luciano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Jean Paul Gaultier in?
Jean Paul Gaultier by Luciano is in D♭ major, or 3B on the Camelot wheel.
What BPM is Jean Paul Gaultier?
Jean Paul Gaultier runs at 140 BPM, a driving up-tempo track.
What mixes well with Jean Paul Gaultier?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Jean Paul Gaultier good for peak time?
With energy 46 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dancehall
More from Luciano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
