EXPENSIVE SHIT
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 8m
- Energy
- 72/100
- Pop
- 55/100
- Length
- 3:00
- Released
- 2023
- Genre
- Dancehall
- Label
- Four Music
- Loudness
- -6.2 dB
- Dynamics
- 12.4 dB
- ISRC
- DEKF22300385
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast dancehall cut, EXPENSIVE SHIT sits in B♭ minor (3A) at 150 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 99% of Luciano's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 99% of Luciano's catalogue
- Reach:
- better known than 89% of Luciano's catalogue
- Energy:
- hotter than 87% of Luciano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is EXPENSIVE SHIT in?
EXPENSIVE SHIT by Luciano is in B♭ minor, or 3A on the Camelot wheel.
What BPM is EXPENSIVE SHIT?
EXPENSIVE SHIT runs at 150 BPM, a fast track.
What mixes well with EXPENSIVE SHIT?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is EXPENSIVE SHIT good for peak time?
With energy 72 out of 100 at 150 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 150 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More dancehall
More from Luciano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
