Bars Afrique (feat. Stefflon Don & HoodBlaq)
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 8d
- Energy
- 61/100
- Pop
- 47/100
- Length
- 2:58
- Released
- 2024
- Album
- Seductive
- Genre
- Dancehall
- Label
- Urban
- Loudness
- -6.0 dB
- Dynamics
- 10.3 dB
- ISRC
- DECE72400073
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 143 BPM in D♭ major (3B), Bars Afrique (feat. Stefflon Don & HoodBlaq) is a driving up-tempo dancehall production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 82% of Luciano's catalogue. For programming, treat it as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Bars Afrique (feat. Stefflon Don & HoodBlaq) in?
Bars Afrique (feat. Stefflon Don & HoodBlaq) by Luciano is in D♭ major, or 3B on the Camelot wheel.
What BPM is Bars Afrique (feat. Stefflon Don & HoodBlaq)?
Bars Afrique (feat. Stefflon Don & HoodBlaq) runs at 143 BPM, a driving up-tempo track.
What mixes well with Bars Afrique (feat. Stefflon Don & HoodBlaq)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Bars Afrique (feat. Stefflon Don & HoodBlaq) good for peak time?
With energy 61 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 143 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More dancehall
More from Luciano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
