Weiß maskiert
30s preview
- Key
- 9A · E minor
- BPM
- 143
- Half-time
- 72
- Open Key
- 2m
- Energy
- 63/100
- Pop
- 42/100
- Length
- 2:48
- Released
- 2018
- Album
- L.O.C.O.
- Genre
- Dancehall
- Label
- Urban
- Loudness
- -8.4 dB
- Dynamics
- 8.1 dB
- ISRC
- DEUM71807085
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Weiß maskiertoriginal9A · 143
A driving up-tempo dancehall cut, Weiß maskiert sits in E minor (9A) at 143 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More bass-heavy than 87% of Luciano's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 83% of Luciano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Weiß maskiert in?
Weiß maskiert by Luciano is in E minor, or 9A on the Camelot wheel.
What BPM is Weiß maskiert?
Weiß maskiert runs at 143 BPM, a driving up-tempo track.
What mixes well with Weiß maskiert?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Weiß maskiert good for peak time?
With energy 63 out of 100 at 143 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 143 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More dancehall
More from Luciano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
