7 O'Clock - Marco Faraone Remix
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:01
- Released
- 2010
- Album
- 7 O'Clock
- Genre
- Techno
- Loudness
- -6.6 dB
- Dynamics
- 12.3 dB
- ISRC
- DEH741009545
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 7 O' Clock - Luca Agnelli Remixremix10A · 129
- 7 O'Clockoriginal12A · 125
- 7 O' Clock - Mikael Jonasson Remixremix9B · 128
- 7 O' Clock - Under Black Helmet Remixremix8B · 134
- 7 O'Clock - Lee Van Dowski Remixremix3A · 126
- 7 O' Clock - Dj Rush Remixremix3B · 134
Against the original (12A at 125 BPM), this version runs 1 BPM slower and moves the key from 12A to 10A.
7 O'Clock - Marco Faraone Remix: club-tempo techno, B minor (10A), 124 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Luca Agnelli's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 98% of Luca Agnelli's catalogue
- Tempo:
- slower than 93% of Luca Agnelli's catalogue
- Groove:
- groovier than 83% of Luca Agnelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is 7 O'Clock - Marco Faraone Remix in?
7 O'Clock - Marco Faraone Remix by Luca Agnelli is in B minor, or 10A on the Camelot wheel.
What BPM is 7 O'Clock - Marco Faraone Remix?
7 O'Clock - Marco Faraone Remix runs at 124 BPM, a club-tempo track.
What mixes well with 7 O'Clock - Marco Faraone Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is 7 O'Clock - Marco Faraone Remix good for peak time?
With energy 98 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Luca Agnelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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