7 O'Clock - Lee Van Dowski Remix
- BPM
- 126
- Open Key
- 8m
- Energy
- 59/100
- Pop
- 1/100
- Length
- 8:26
- Released
- 2010
- Album
- 7 O'Clock
- Genre
- Techno
- Loudness
- -8.3 dB
- ISRC
- DEH741009546
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 7 O' Clock - Luca Agnelli Remixremix10A · 129
- 7 O'Clockoriginal12A · 125
- 7 O' Clock - Mikael Jonasson Remixremix9B · 128
- 7 O' Clock - Under Black Helmet Remixremix8B · 134
- 7 O' Clock - Dj Rush Remixremix3B · 134
- 7 O'Clock - DJ W!ld Remixremix9A · 122
Against the original (12A at 125 BPM), this version runs 1 BPM faster and moves the key from 12A to 3A.
7 O'Clock - Lee Van Dowski Remix: club-tempo techno, B♭ minor (3A), 126 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. Calmer than 91% of Luca Agnelli's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 87% of Luca Agnelli's catalogue
- Tempo:
- slower than 78% of Luca Agnelli's catalogue
- Brightness:
- darker than 77% of Luca Agnelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 7 O'Clock - Lee Van Dowski Remix in?
7 O'Clock - Lee Van Dowski Remix by Luca Agnelli is in B♭ minor, or 3A on the Camelot wheel.
What BPM is 7 O'Clock - Lee Van Dowski Remix?
7 O'Clock - Lee Van Dowski Remix runs at 126 BPM, a club-tempo track.
What mixes well with 7 O'Clock - Lee Van Dowski Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is 7 O'Clock - Lee Van Dowski Remix good for peak time?
With energy 59 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Luca Agnelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.