Storm on Lake Saint Claire by Claude VonStroke cover art

Storm on Lake Saint Claire

Claude VonStroke

Key
5A · C minor
BPM
126
Open Key
10m
Energy
60/100
Pop
0/100
Length
8:09
Released
2009
Genre
Tech House
Loudness
-10.8 dB
ISRC
US75Z0900090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Storm on Lake Saint Claire runs 126 BPM in C minor (5A), a club-tempo tech house record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Claude VonStroke's catalogue. In a set it works best as a mid-set roller.

Brightness:
darker than 94% of Claude VonStroke's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood9Dark
Groove81
Acoustic0
Instrumental90
Live14
Speech11

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Storm on Lake Saint Claire in?

Storm on Lake Saint Claire by Claude VonStroke is in C minor, or 5A on the Camelot wheel.

What BPM is Storm on Lake Saint Claire?

Storm on Lake Saint Claire runs at 126 BPM, a club-tempo track.

What mixes well with Storm on Lake Saint Claire?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Storm on Lake Saint Claire good for peak time?

With energy 60 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 126 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Claude VonStroke

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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