Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub by Roger Sanchez cover art

Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub

Roger Sanchez

30s preview

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
60/100
Pop
0/100
Length
6:29
Released
2008
Album
Bang That Box (feat. Terri B!)
Genre
House
Loudness
-7.3 dB
Dynamics
17.6 dB
ISRC
NLQ200800076

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 126 BPM), this version holds the same tempo in the same key.

At 126 BPM in D♭ major (3B), Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub is a club-tempo house production. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2008 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 88% of Roger Sanchez's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood35Balanced
Groove79
Acoustic1
Instrumental80
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub in?

Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub by Roger Sanchez is in D♭ major, or 3B on the Camelot wheel.

What BPM is Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub?

Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub runs at 126 BPM, a club-tempo track.

What mixes well with Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Bang That Box (feat. Terri B!) - Avicii vs Philgood Bang That Dub good for peak time?

With energy 60 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Roger Sanchez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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