The Sweet - Extended Remix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 7:26
- Released
- 2021
- Album
- The Sweet (Remix)
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 10.2 dB
- ISRC
- USMKQ2100015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sweet - Remixremix6B · 126
At 126 BPM in D♭ major (3B), The Sweet - Extended Remix is a club-tempo house production. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 97% of Todd Terry's catalogue
- Low end:
- more bass-heavy than 92% of Todd Terry's catalogue
- Brightness:
- darker than 87% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Sweet - Extended Remix in?
The Sweet - Extended Remix by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Sweet - Extended Remix?
The Sweet - Extended Remix runs at 126 BPM, a club-tempo track.
What mixes well with The Sweet - Extended Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Sweet - Extended Remix good for peak time?
With energy 59 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.