Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix)
30s preview
- Key
- 9B · G major
- BPM
- 124
- Open Key
- 2d
- Energy
- 96/100
- Pop
- 54/100
- Length
- 5:06
- Released
- 2024
- Genre
- Techno
- Label
- Afterlife
- Loudness
- -3.8 dB
- Dynamics
- 9.5 dB
- ISRC
- DEEC33501609
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Along Came Polly - Original Mixoriginal8B · 124
Against the original (8B at 124 BPM), this version holds the same tempo and moves the key from 8B to 9B.
Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix) runs 124 BPM in G major (9B), a club-tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 98% of Rebuke's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 96% of Rebuke's catalogue
- Energy:
- hotter than 86% of Rebuke's catalogue
- Groove:
- groovier than 85% of Rebuke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix) in?
Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix) by Rebuke is in G major, or 9B on the Camelot wheel.
What BPM is Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix)?
Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix) runs at 124 BPM, a club-tempo track.
What mixes well with Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Along Came Polly (Konstantin Sibold, ZAC, CARMEE Remix) good for peak time?
With energy 96 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Rebuke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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