Eating Glass
30s preview
- Key
- 9B · G major
- BPM
- 124
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:40
- Released
- 2019
- Album
- The You in You Isn't the You You Thought Was in You
- Genre
- Tech House
- Loudness
- -6.5 dB
- Dynamics
- 15.5 dB
- ISRC
- UKFMN1600078
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Eating Glass: club-tempo tech house, G major (9B), 124 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). Hotter than 99% of Third Son's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Third Son's catalogue
- Low end:
- more treble-tilted than 96% of Third Son's catalogue
- Groove:
- groovier than 77% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Eating Glass in?
Eating Glass by Third Son is in G major, or 9B on the Camelot wheel.
What BPM is Eating Glass?
Eating Glass runs at 124 BPM, a club-tempo track.
What mixes well with Eating Glass?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Eating Glass good for peak time?
With energy 95 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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