What It Is - Phil Weeks Ghetto Dub
- BPM
- 124
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 8:22
- Released
- 2013
- Album
- What It Is
- Genre
- Tech House
- Loudness
- -8.2 dB
- ISRC
- GB3CE1300052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What It Is - Original Mixoriginal8A · 124
Against the original (8A at 124 BPM), this version holds the same tempo and moves the key from 8A to 10A.
What It Is - Phil Weeks Ghetto Dub is a club-tempo tech house track in B minor (10A) at 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Carlo Lio's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 97% of Carlo Lio's catalogue
- Brightness:
- brighter than 97% of Carlo Lio's catalogue
- Energy:
- hotter than 94% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is What It Is - Phil Weeks Ghetto Dub in?
What It Is - Phil Weeks Ghetto Dub by Carlo Lio is in B minor, or 10A on the Camelot wheel.
What BPM is What It Is - Phil Weeks Ghetto Dub?
What It Is - Phil Weeks Ghetto Dub runs at 124 BPM, a club-tempo track.
What mixes well with What It Is - Phil Weeks Ghetto Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is What It Is - Phil Weeks Ghetto Dub good for peak time?
With energy 97 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
