Round the Corner
30s preview
- Key
- 6A · G minor
- BPM
- 84
- Double-time
- 168
- Open Key
- 11m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 4:17
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- Dynamics
- 13.9 dB
- ISRC
- GBCJY0025002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Round the Corner is a downtempo drum n bass track in G minor (6A) at 84 BPM. It reads as bright and euphoric. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2000 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 99% of London Elektricity's catalogue
- Tempo:
- slower than 98% of London Elektricity's catalogue
- Groove:
- less groove-driven than 98% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Round the Corner in?
Round the Corner by London Elektricity is in G minor, or 6A on the Camelot wheel.
What BPM is Round the Corner?
Round the Corner runs at 84 BPM, a downtempo track.
What mixes well with Round the Corner?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Round the Corner good for peak time?
With energy 86 out of 100 at 84 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 84 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 84 — beatmatch without a big tempo pull.
More drum n bass
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![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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