a love, a loss
30s preview
- BPM
- 116
- Open Key
- 10d
- Energy
- 24/100
- Pop
- 10/100
- Length
- 13:14
- Released
- 2023
- Genre
- Progressive House
- Loudness
- -22.4 dB
- Dynamics
- 13.9 dB
- ISRC
- GBEWA2300427
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
a love, a loss is a mid-tempo progressive house track in E♭ major (5B) at 116 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 99% of Leaving Laurel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 96% of Leaving Laurel's catalogue
- Tempo:
- slower than 87% of Leaving Laurel's catalogue
- Brightness:
- darker than 79% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is a love, a loss in?
a love, a loss by Leaving Laurel is in E♭ major, or 5B on the Camelot wheel.
What BPM is a love, a loss?
a love, a loss runs at 116 BPM, a mid-tempo track.
What mixes well with a love, a loss?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is a love, a loss good for peak time?
With energy 24 out of 100 at 116 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 116 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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