Too Young For Me
30s preview
- BPM
- 115
- Open Key
- 4m
- Energy
- 29/100
- Pop
- 0/100
- Length
- 9:06
- Released
- 2016
- Genre
- Deep House
- Loudness
- -15.7 dB
- Dynamics
- 10.3 dB
- ISRC
- DEM092200038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 115 BPM in F♯ minor (11A), Too Young For Me is a mid-tempo deep house production. It reads as brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Calmer than 99% of Jimi Jules's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 99% of Jimi Jules's catalogue
- Reach:
- more underground than 99% of Jimi Jules's catalogue
- Low end:
- more bass-heavy than 97% of Jimi Jules's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 56%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 8%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Too Young For Me in?
Too Young For Me by Jimi Jules is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Too Young For Me?
Too Young For Me runs at 115 BPM, a mid-tempo track.
What mixes well with Too Young For Me?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Too Young For Me good for peak time?
With energy 29 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 115 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More deep house
More from Jimi Jules
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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