You Really Got Me - Mono version
- BPM
- 141
- Half-time
- 71
- Open Key
- 3d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 2:14
- Released
- 1968
- Album
- Live At Kelvin Hall (Bonus Track Edition - Reissue)
- Genre
- Techno
- Loudness
- -5.2 dB
- ISRC
- GBAJE0704841
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Really Got Me - Live: Fillmore West, San Francisco 29 Nov '69original3B · 81
- You Really Got Me - 2023 Remasteroriginal4B · 137
- You Really Got Me - 2014 Remastered Versionoriginal4B · 137
- YOU REALLY GOT ME - MONOoriginal10B · 136
- YOU REALLY GOT ME - STEREOoriginal10B · 135
- You Really Got Me - Live in Germany, 1965original10B · 74
You Really Got Me - Mono version is a driving up-tempo techno track in D major (10B) at 141 BPM. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. A 1968 production that still circulates in sets. More underground than 99% of Kink's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 98% of Kink's catalogue
- Groove:
- less groove-driven than 92% of Kink's catalogue
- Brightness:
- darker than 86% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Really Got Me - Mono version in?
You Really Got Me - Mono version by Kink is in D major, or 10B on the Camelot wheel.
What BPM is You Really Got Me - Mono version?
You Really Got Me - Mono version runs at 141 BPM, a driving up-tempo track.
What mixes well with You Really Got Me - Mono version?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is You Really Got Me - Mono version good for peak time?
With energy 98 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 141 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
