YOU REALLY GOT ME - STEREO
30s preview
- BPM
- 135
- Open Key
- 3d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 2:16
- Released
- 2021
- Album
- ザ・キンクス・グレイテスト・ヒッツ
- Genre
- Techno
- Loudness
- -6.2 dB
- Dynamics
- 12.1 dB
- ISRC
- TCJPA2484068
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Really Got Me - Live: Fillmore West, San Francisco 29 Nov '69original3B · 81
- You Really Got Me - 2023 Remasteroriginal4B · 137
- You Really Got Me - 2014 Remastered Versionoriginal4B · 137
- YOU REALLY GOT ME - MONOoriginal10B · 136
- You Really Got Me - Live in Germany, 1965original10B · 74
- You Really Got Me - Live in London 30th October, 1964original9B · 133
YOU REALLY GOT ME - STEREO runs 135 BPM in D major (10B), a driving up-tempo techno record. Tonally it lands bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Kink's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 96% of Kink's catalogue
- Brightness:
- brighter than 90% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is YOU REALLY GOT ME - STEREO in?
YOU REALLY GOT ME - STEREO by Kink is in D major, or 10B on the Camelot wheel.
What BPM is YOU REALLY GOT ME - STEREO?
YOU REALLY GOT ME - STEREO runs at 135 BPM, a driving up-tempo track.
What mixes well with YOU REALLY GOT ME - STEREO?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is YOU REALLY GOT ME - STEREO good for peak time?
With energy 95 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 135 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
