You Really Got Me - Live in London 30th October, 1964
- Key
- 9B · G major
- BPM
- 133
- Open Key
- 2d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 2:17
- Released
- 2020
- Album
- On Air: 1964-1968 (Live)
- Genre
- Techno
- Loudness
- -6.1 dB
- ISRC
- GBLLT2027416
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Really Got Me - Live: Fillmore West, San Francisco 29 Nov '69original3B · 81
- You Really Got Me - 2023 Remasteroriginal4B · 137
- You Really Got Me - 2014 Remastered Versionoriginal4B · 137
- YOU REALLY GOT ME - MONOoriginal10B · 136
- YOU REALLY GOT ME - STEREOoriginal10B · 135
- You Really Got Me - Live in Germany, 1965original10B · 74
Against the original (4B at 137 BPM), this version runs 4 BPM slower and moves the key from 4B to 9B.
You Really Got Me - Live in London 30th October, 1964 runs 133 BPM in G major (9B), a peak-time tempo techno record. Tonally it lands bright and euphoric. It is vocal-led. Brighter than 99% of Kink's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Really Got Me - Live in London 30th October, 1964 in?
You Really Got Me - Live in London 30th October, 1964 by Kink is in G major, or 9B on the Camelot wheel.
What BPM is You Really Got Me - Live in London 30th October, 1964?
You Really Got Me - Live in London 30th October, 1964 runs at 133 BPM, a peak-time tempo track.
What mixes well with You Really Got Me - Live in London 30th October, 1964?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is You Really Got Me - Live in London 30th October, 1964 good for peak time?
With energy 82 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 133 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
