You Don't Know My Name
30s preview
- BPM
- 146
- Half-time
- 73
- Open Key
- 3d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 2:37
- Released
- 1972
- Album
- Everybody's In Show Business
- Genre
- Techno
- Loudness
- -7.2 dB
- Dynamics
- 14.6 dB
- ISRC
- USKO10403266
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Don't Know My Nameoriginal10B · 146
- You Don't Know My Name - 2022 Remasteroriginal9B · 146
You Don't Know My Name runs 146 BPM in D major (10B), a fast techno record. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 1972 production that still circulates in sets. More underground than 99% of Kink's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- brighter than 95% of Kink's catalogue
- Low end:
- more treble-tilted than 91% of Kink's catalogue
- Tempo:
- faster than 80% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is You Don't Know My Name in?
You Don't Know My Name by Kink is in D major, or 10B on the Camelot wheel.
What BPM is You Don't Know My Name?
You Don't Know My Name runs at 146 BPM, a fast track.
What mixes well with You Don't Know My Name?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is You Don't Know My Name good for peak time?
With energy 81 out of 100 at 146 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 146 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
![She's Got Everything - Single Mix [2018 Mono Remaster] by Kink cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a6f964af27b57629c3b6.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
