Confusion
30s preview
- Key
- 6A · G minor
- BPM
- 146
- Half-time
- 73
- Open Key
- 11m
- Energy
- 87/100
- Pop
- 1/100
- Length
- 6:47
- Released
- 2025
- Album
- TUNEL
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 16.3 dB
- ISRC
- BEN582500554
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 146 BPM in G minor (6A), Confusion is a fast techno production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 96% of Anfisa Letyago's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 93% of Anfisa Letyago's catalogue
- Tempo:
- faster than 92% of Anfisa Letyago's catalogue
- Reach:
- more underground than 90% of Anfisa Letyago's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 19%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Confusion in?
Confusion by Anfisa Letyago is in G minor, or 6A on the Camelot wheel.
What BPM is Confusion?
Confusion runs at 146 BPM, a fast track.
What mixes well with Confusion?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Confusion good for peak time?
With energy 87 out of 100 at 146 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 146 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
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