Femme Fatale (Deborah de Luca Remix)
30s preview
- Key
- 7A · D minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 12m
- Energy
- 76/100
- Pop
- 36/100
- Length
- 5:19
- Released
- 2025
- Album
- HARD POP VOL. 2
- Genre
- Techno
- Label
- Smilax Records
- Loudness
- -4.8 dB
- Dynamics
- 9.2 dB
- ISRC
- ITJ872500239
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Femme Fataleoriginal7A · 145
Against the original (7A at 145 BPM), this version holds the same tempo in the same key.
Femme Fatale (Deborah de Luca Remix) is a driving up-tempo techno track in D minor (7A) at 145 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 91% of Deborah de Luca's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 86% of Deborah de Luca's catalogue
- Tempo:
- faster than 82% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Femme Fatale (Deborah de Luca Remix) in?
Femme Fatale (Deborah de Luca Remix) by Deborah de Luca is in D minor, or 7A on the Camelot wheel.
What BPM is Femme Fatale (Deborah de Luca Remix)?
Femme Fatale (Deborah de Luca Remix) runs at 145 BPM, a driving up-tempo track.
What mixes well with Femme Fatale (Deborah de Luca Remix)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Femme Fatale (Deborah de Luca Remix) good for peak time?
With energy 76 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 145 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
