Follow Me (feat. Rachel Row)
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 54/100
- Pop
- 2/100
- Length
- 5:46
- Released
- 2009
- Genre
- Techno
- Loudness
- -10.9 dB
- Dynamics
- 17.0 dB
- ISRC
- USAH91102656
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Follow Me (feat. Rachel Row) sits in D♭ major (3B) at 128 BPM. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2009 production that still circulates in sets. Groovier than 93% of Kink's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 93% of Kink's catalogue
- Reach:
- better known than 76% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Follow Me (feat. Rachel Row) in?
Follow Me (feat. Rachel Row) by Kink is in D♭ major, or 3B on the Camelot wheel.
What BPM is Follow Me (feat. Rachel Row)?
Follow Me (feat. Rachel Row) runs at 128 BPM, a peak-time tempo track.
What mixes well with Follow Me (feat. Rachel Row)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Follow Me (feat. Rachel Row) good for peak time?
With energy 54 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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