Mental Moonlight Fiesta
30s preview
- BPM
- 221
- Half-time
- 111
- Open Key
- 11d
- Energy
- 0/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 2004
- Genre
- Deep House
- Loudness
- -27.5 dB
- Dynamics
- 19.4 dB
- ISRC
- DEBL60944788
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mental Moonlight Fiesta: deep house, B♭ major (6B), 221 BPM. It is vocal-led. Spoken-word passages run through it. Its spectrum is focused in the upper-mids, present and forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2004 production that still circulates in sets. Calmer than 99% of Kerri Chandler's catalogue.
- Tempo:
- faster than 99% of Kerri Chandler's catalogue
- Groove:
- less groove-driven than 99% of Kerri Chandler's catalogue
- Brightness:
- brighter than 99% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 32%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Mental Moonlight Fiesta in?
Mental Moonlight Fiesta by Kerri Chandler is in B♭ major, or 6B on the Camelot wheel.
What BPM is Mental Moonlight Fiesta?
Mental Moonlight Fiesta runs at 221 BPM.
What mixes well with Mental Moonlight Fiesta?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Mental Moonlight Fiesta good for peak time?
With energy 0 out of 100 at 221 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 221 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 208-234 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 221 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 221 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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