Don't Wanna Think - Kerri's Media Mix
30s preview
- BPM
- 129
- Open Key
- 3m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2011
- Album
- Kerri Chandler: The Remixes
- Genre
- Deep House
- Loudness
- -4.0 dB
- Dynamics
- 11.5 dB
- ISRC
- GBBXG0920030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Wanna Think - Kaoz 6:23 Againoriginal10A · 129
Don't Wanna Think - Kerri's Media Mix runs 129 BPM in B minor (10A), a peak-time tempo deep house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 98% of Kerri Chandler's catalogue
- Low end:
- more treble-tilted than 92% of Kerri Chandler's catalogue
- Energy:
- hotter than 89% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don't Wanna Think - Kerri's Media Mix in?
Don't Wanna Think - Kerri's Media Mix by Kerri Chandler is in B minor, or 10A on the Camelot wheel.
What BPM is Don't Wanna Think - Kerri's Media Mix?
Don't Wanna Think - Kerri's Media Mix runs at 129 BPM, a peak-time tempo track.
What mixes well with Don't Wanna Think - Kerri's Media Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Don't Wanna Think - Kerri's Media Mix good for peak time?
With energy 92 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 129 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More deep house
![1+1 [Album Mix] by Coyu cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bcadf979b8ac5953c4f7.webp){kind=small}
More from Kerri Chandler
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.