Connected by John Summit cover art

Connected

John Summit

30s preview

Key
8B · C major
BPM
124
Open Key
1d
Energy
84/100
Pop
15/100
Length
5:58
Released
2020
Genre
Tech House
Label
South Of Saturn
Loudness
-7.5 dB
Dynamics
9.7 dB
ISRC
GBK6Y2007103

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Connected: club-tempo tech house, C major (8B), 124 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 97% of John Summit's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 95% of John Summit's catalogue
Low end:
more bass-heavy than 88% of John Summit's catalogue
Groove:
groovier than 82% of John Summit's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood89Bright
Groove80
Acoustic3
Instrumental87
Live4
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Connected in?

Connected by John Summit is in C major, or 8B on the Camelot wheel.

What BPM is Connected?

Connected runs at 124 BPM, a club-tempo track.

What mixes well with Connected?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Connected good for peak time?

With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from John Summit

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track