La Chamba - Original Mix
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 1/100
- Length
- 6:58
- Released
- 2013
- Album
- The Madrid Connection
- Genre
- Tech House
- Loudness
- -7.9 dB
- Dynamics
- 11.0 dB
- ISRC
- ES8831230021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
La Chamba - Original Mix runs 124 BPM in B♭ minor (3A), a club-tempo tech house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. Slower than 90% of Oscar L's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 88% of Oscar L's catalogue
- Groove:
- groovier than 84% of Oscar L's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is La Chamba - Original Mix in?
La Chamba - Original Mix by Oscar L is in B♭ minor, or 3A on the Camelot wheel.
What BPM is La Chamba - Original Mix?
La Chamba - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with La Chamba - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is La Chamba - Original Mix good for peak time?
With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Oscar L
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
