Sky Full of Ghosts by Bendtsen cover art

Sky Full of Ghosts

Bendtsen

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
84/100
Pop
0/100
Length
7:15
Released
2020
Genre
Techno
Loudness
-9.6 dB
Dynamics
11.4 dB
ISRC
GBLFP2079280

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Sky Full of Ghosts runs 124 BPM in B♭ minor (3A), a club-tempo techno record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 99% of Bendtsen's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Bendtsen's catalogue
Groove:
groovier than 80% of Bendtsen's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood31Dark
Groove81
Acoustic0
Instrumental79
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Sky Full of Ghosts in?

Sky Full of Ghosts by Bendtsen is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Sky Full of Ghosts?

Sky Full of Ghosts runs at 124 BPM, a club-tempo track.

What mixes well with Sky Full of Ghosts?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Sky Full of Ghosts good for peak time?

With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More techno

More from Bendtsen

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track