comedown
- Key
- 7A · D minor
- BPM
- 123
- Open Key
- 12m
- Energy
- 87/100
- Pop
- 39/100
- Length
- 1:55
- Released
- 2024
- Genre
- House
- Loudness
- -6.1 dB
- ISRC
- USUG12404440
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in D minor (7A), comedown is a club-tempo house production. The mix is almost entirely instrumental. Slower than 99% of John Summit's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 97% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is comedown in?
comedown by John Summit is in D minor, or 7A on the Camelot wheel.
What BPM is comedown?
comedown runs at 123 BPM, a club-tempo track.
What mixes well with comedown?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is comedown good for peak time?
With energy 87 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 123 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
