Lost In You - Live from Natural Bridge State Park, Kentucky
30s preview
- Key
- 6A · G minor
- BPM
- 123
- Open Key
- 11m
- Energy
- 86/100
- Pop
- 12/100
- Length
- 5:13
- Released
- 2021
- Album
- Live from Natural Bridge State Park, Kentucky
- Genre
- Progressive House
- Loudness
- -9.7 dB
- Dynamics
- 12.7 dB
- ISRC
- GBEWA2102216
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in Youoriginal4B · 122
- Lost In You - Extended Mixversion6A · 122
Against the original (4B at 122 BPM), this version runs 1 BPM faster and moves the key from 4B to 6A.
At 123 BPM in G minor (6A), Lost In You - Live from Natural Bridge State Park, Kentucky is a club-tempo progressive house production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 76% of Marsh's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lost In You - Live from Natural Bridge State Park, Kentucky in?
Lost In You - Live from Natural Bridge State Park, Kentucky by Marsh is in G minor, or 6A on the Camelot wheel.
What BPM is Lost In You - Live from Natural Bridge State Park, Kentucky?
Lost In You - Live from Natural Bridge State Park, Kentucky runs at 123 BPM, a club-tempo track.
What mixes well with Lost In You - Live from Natural Bridge State Park, Kentucky?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Lost In You - Live from Natural Bridge State Park, Kentucky good for peak time?
With energy 86 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 123 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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