
The Road Goes On Forever - One Minute To Midnight Extended Mix
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 98/100
- Pop
- 13/100
- Length
- 3:48
- Released
- 2012
- Album
- The Road Goes On Forever
- Genre
- Drum N Bass
- Loudness
- -2.2 dB
- ISRC
- GBCJY1205239
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Road Goes On Foreveroriginal7B · 173
Against the original (7B at 173 BPM), this version runs 53 BPM slower in the same key.
A club-tempo drum n bass cut, The Road Goes On Forever - One Minute To Midnight Extended Mix sits in F major (7B) at 120 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Hotter than 95% of High Contrast's catalogue.
- Brightness:
- brighter than 94% of High Contrast's catalogue
- Tempo:
- slower than 89% of High Contrast's catalogue
- Groove:
- less groove-driven than 82% of High Contrast's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Road Goes On Forever - One Minute To Midnight Extended Mix in?
The Road Goes On Forever - One Minute To Midnight Extended Mix by High Contrast is in F major, or 7B on the Camelot wheel.
What BPM is The Road Goes On Forever - One Minute To Midnight Extended Mix?
The Road Goes On Forever - One Minute To Midnight Extended Mix runs at 120 BPM, a club-tempo track.
What mixes well with The Road Goes On Forever - One Minute To Midnight Extended Mix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is The Road Goes On Forever - One Minute To Midnight Extended Mix good for peak time?
With energy 98 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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