The Road Goes On Forever - One Minute To Midnight Extended Mix by High Contrast cover art

The Road Goes On Forever - One Minute To Midnight Extended Mix

High Contrast

Key
7B · F major
BPM
120
Open Key
12d
Energy
98/100
Pop
13/100
Length
3:48
Released
2012
Album
The Road Goes On Forever
Genre
Drum N Bass
Loudness
-2.2 dB
ISRC
GBCJY1205239

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7B at 173 BPM), this version runs 53 BPM slower in the same key.

A club-tempo drum n bass cut, The Road Goes On Forever - One Minute To Midnight Extended Mix sits in F major (7B) at 120 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Hotter than 95% of High Contrast's catalogue.

Brightness:
brighter than 94% of High Contrast's catalogue
Tempo:
slower than 89% of High Contrast's catalogue
Groove:
less groove-driven than 82% of High Contrast's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood79Bright
Groove43
Acoustic0
Instrumental94
Live36
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Road Goes On Forever - One Minute To Midnight Extended Mix in?

The Road Goes On Forever - One Minute To Midnight Extended Mix by High Contrast is in F major, or 7B on the Camelot wheel.

What BPM is The Road Goes On Forever - One Minute To Midnight Extended Mix?

The Road Goes On Forever - One Minute To Midnight Extended Mix runs at 120 BPM, a club-tempo track.

What mixes well with The Road Goes On Forever - One Minute To Midnight Extended Mix?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is The Road Goes On Forever - One Minute To Midnight Extended Mix good for peak time?

With energy 98 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from High Contrast

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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