I'll Get High by High Contrast cover art

I'll Get High

High Contrast

30s preview

Key
4A · F minor
BPM
120
Open Key
9m
Energy
83/100
Pop
12/100
Length
5:54
Released
2017
Album
Night Gallery
Genre
Drum N Bass
Loudness
-5.5 dB
Dynamics
9.7 dB
ISRC
GBSXS1700100

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I'll Get High runs 120 BPM in F minor (4A), a club-tempo drum n bass record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More bass-heavy than 97% of High Contrast's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 89% of High Contrast's catalogue
Brightness:
brighter than 75% of High Contrast's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood51Balanced
Groove63
Acoustic1
Instrumental82
Live16
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is I'll Get High in?

I'll Get High by High Contrast is in F minor, or 4A on the Camelot wheel.

What BPM is I'll Get High?

I'll Get High runs at 120 BPM, a club-tempo track.

What mixes well with I'll Get High?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is I'll Get High good for peak time?

With energy 83 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from High Contrast

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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