
The Road Goes On Forever
30s preview
- Key
- 7B · F major
- BPM
- 173
- Half-time
- 87
- Open Key
- 12d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 5:41
- Released
- 2012
- Album
- The Agony & The Ecstasy
- Genre
- Drum N Bass
- Loudness
- -1.1 dB
- Dynamics
- 12.1 dB
- ISRC
- GBCJY1200019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
The Road Goes On Forever: drum n bass, F major (7B), 173 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of High Contrast's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 91% of High Contrast's catalogue
- Energy:
- hotter than 89% of High Contrast's catalogue
- Low end:
- more treble-tilted than 79% of High Contrast's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is The Road Goes On Forever in?
The Road Goes On Forever by High Contrast is in F major, or 7B on the Camelot wheel.
What BPM is The Road Goes On Forever?
The Road Goes On Forever runs at 173 BPM.
What mixes well with The Road Goes On Forever?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is The Road Goes On Forever good for peak time?
With energy 97 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 173 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.