6Mal by Héctor Oaks cover art
Key
9B · G major
BPM
128
Open Key
2d
Energy
94/100
Pop
0/100
Length
5:13
Released
2013
Album
CRS//029
Genre
Techno
Loudness
-10.8 dB
ISRC
ITH641063395

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

6Mal: peak-time tempo techno, G major (9B), 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Héctor Oaks's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 94% of Héctor Oaks's catalogue
Brightness:
darker than 91% of Héctor Oaks's catalogue
Tempo:
slower than 88% of Héctor Oaks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood7Dark
Groove79
Acoustic47
Instrumental96
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is 6Mal in?

6Mal by Héctor Oaks is in G major, or 9B on the Camelot wheel.

What BPM is 6Mal?

6Mal runs at 128 BPM, a peak-time tempo track.

What mixes well with 6Mal?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is 6Mal good for peak time?

With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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