Despite the Damage by Héctor Oaks cover art

Despite the Damage

Héctor Oaks

30s preview

Key
10A · B minor
BPM
133
Open Key
3m
Energy
100/100
Pop
0/100
Length
5:30
Released
2021
Album
Año V-I
Genre
Techno
Loudness
-6.2 dB
Dynamics
9.0 dB
ISRC
FRIDO2012446

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Despite the Damage: peak-time tempo techno, B minor (10A), 133 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Héctor Oaks's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 97% of Héctor Oaks's catalogue
Groove:
groovier than 81% of Héctor Oaks's catalogue
Brightness:
darker than 76% of Héctor Oaks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood14Dark
Groove74
Acoustic0
Instrumental84
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Despite the Damage in?

Despite the Damage by Héctor Oaks is in B minor, or 10A on the Camelot wheel.

What BPM is Despite the Damage?

Despite the Damage runs at 133 BPM, a peak-time tempo track.

What mixes well with Despite the Damage?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Despite the Damage good for peak time?

With energy 100 out of 100 at 133 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

#Track

More techno

More from Héctor Oaks

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track