Objection (original mix)
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 1/100
- Length
- 7:23
- Released
- 2020
- Genre
- Techno
- Loudness
- -11.5 dB
- Dynamics
- 9.3 dB
- ISRC
- CA5KR2007055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in B minor (10A), Objection (original mix) is a peak-time tempo techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 93% of Charlie Sparks's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 87% of Charlie Sparks's catalogue
- Reach:
- more underground than 86% of Charlie Sparks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Objection (original mix) in?
Objection (original mix) by Charlie Sparks is in B minor, or 10A on the Camelot wheel.
What BPM is Objection (original mix)?
Objection (original mix) runs at 133 BPM, a peak-time tempo track.
What mixes well with Objection (original mix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Objection (original mix) good for peak time?
With energy 90 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Charlie Sparks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
