Floating in Metal by Charlie Sparks cover art

Floating in Metal

Charlie Sparks

30s preview

Key
9B · G major
BPM
132
Open Key
2d
Energy
90/100
Pop
1/100
Length
7:37
Released
2020
Genre
Techno
Loudness
-7.1 dB
Dynamics
13.8 dB
ISRC
GBKQU2070488

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Floating in Metal sits in G major (9B) at 132 BPM. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 97% of Charlie Sparks's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 89% of Charlie Sparks's catalogue
Reach:
more underground than 86% of Charlie Sparks's catalogue
Energy:
calmer than 78% of Charlie Sparks's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood22Dark
Groove60
Acoustic0
Instrumental58
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Floating in Metal in?

Floating in Metal by Charlie Sparks is in G major, or 9B on the Camelot wheel.

What BPM is Floating in Metal?

Floating in Metal runs at 132 BPM, a peak-time tempo track.

What mixes well with Floating in Metal?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Floating in Metal good for peak time?

With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More techno

More from Charlie Sparks

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track