
State of Mind
- BPM
- 200
- Half-time
- 100
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 9/100
- Length
- 5:31
- Released
- 1995
- Genre
- Drum N Bass
- Loudness
- -8.0 dB
- ISRC
- GBAAP2300038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 200 BPM in D♭ major (3B), State of Mind is a drum n bass production. The mix is almost entirely instrumental. A 1995 production that still circulates in sets. Faster than 99% of Goldie's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 83% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is State of Mind in?
State of Mind by Goldie is in D♭ major, or 3B on the Camelot wheel.
What BPM is State of Mind?
State of Mind runs at 200 BPM.
What mixes well with State of Mind?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is State of Mind good for peak time?
With energy 67 out of 100 at 200 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 200 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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