Intersections
30s preview
- BPM
- 95
- Double-time
- 190
- Open Key
- 9d
- Energy
- 45/100
- Pop
- 0/100
- Length
- 3:30
- Released
- 2009
- Genre
- Drum N Bass
- Loudness
- -6.7 dB
- Dynamics
- 12.1 dB
- ISRC
- GBPWR0900077
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 95 BPM in A♭ major (4B), Intersections is a slow-groove tempo drum n bass production. The feel is balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Groovier than 99% of Alix Perez's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- more underground than 99% of Alix Perez's catalogue
- Energy:
- calmer than 93% of Alix Perez's catalogue
- Tempo:
- slower than 80% of Alix Perez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Intersections in?
Intersections by Alix Perez is in A♭ major, or 4B on the Camelot wheel.
What BPM is Intersections?
Intersections runs at 95 BPM, a slow-groove tempo track.
What mixes well with Intersections?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Intersections good for peak time?
With energy 45 out of 100 at 95 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 95 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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