Malice in Wonderland
30s preview
- BPM
- 171
- Half-time
- 86
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 5/100
- Length
- 10:51
- Released
- 2007
- Genre
- Drum N Bass
- Loudness
- -4.8 dB
- Dynamics
- 12.0 dB
- ISRC
- GBBHF0720013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Malice in Wonderland sits in D♭ major (3B) at 171 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Less groove-driven than 88% of Goldie's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 84% of Goldie's catalogue
- Energy:
- hotter than 76% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Malice in Wonderland in?
Malice in Wonderland by Goldie is in D♭ major, or 3B on the Camelot wheel.
What BPM is Malice in Wonderland?
Malice in Wonderland runs at 171 BPM.
What mixes well with Malice in Wonderland?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Malice in Wonderland good for peak time?
With energy 94 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 171 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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