The End - Rizardo Re-Rub
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 69/100
- Pop
- 7/100
- Length
- 6:59
- Released
- 2012
- Album
- The End EP
- Genre
- House
- Label
- Defected
- Loudness
- -8.5 dB
- Dynamics
- 9.5 dB
- ISRC
- GBCPZ1206664
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Endoriginal8B · 126
- The End - Editversion4B · 126
- The End - Instrumentaloriginal4B · 126
- The End - Rizardo Re-Rub Editversion10A · 126
A club-tempo house cut, The End - Rizardo Re-Rub sits in C major (8B) at 126 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Brighter than 84% of Franky Rizardo's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 80% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The End - Rizardo Re-Rub in?
The End - Rizardo Re-Rub by Franky Rizardo is in C major, or 8B on the Camelot wheel.
What BPM is The End - Rizardo Re-Rub?
The End - Rizardo Re-Rub runs at 126 BPM, a club-tempo track.
What mixes well with The End - Rizardo Re-Rub?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The End - Rizardo Re-Rub good for peak time?
With energy 69 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
