Y’all Right
30s preview
- BPM
- 112
- Open Key
- 4m
- Energy
- 67/100
- Pop
- 26/100
- Length
- 5:34
- Released
- 2017
- Genre
- House
- Loudness
- -8.0 dB
- Dynamics
- 15.4 dB
- ISRC
- GBCPZ1712467
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Y’all Right runs 112 BPM in F♯ minor (11A), a mid-tempo house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. Vocals read as voice. The timbre leans bright. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More treble-tilted than 83% of Folamour's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 81% of Folamour's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Y’all Right in?
Y’all Right by Folamour is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Y’all Right?
Y’all Right runs at 112 BPM, a mid-tempo track.
What mixes well with Y’all Right?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Y’all Right good for peak time?
With energy 67 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 112 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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