Snow (In The City)
30s preview
- Key
- 1B · B major
- BPM
- 112
- Open Key
- 6d
- Energy
- 71/100
- Pop
- 8/100
- Length
- 2:49
- Released
- 2023
- Album
- Elements Of Life Christmas EP
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 11.2 dB
- ISRC
- GBLV62320191
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Snow (In The City) - Instrumental Mixoriginal12A · 112
Snow (In The City) is a mid-tempo house track in B major (1B) at 112 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 97% of Louie Vega's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 90% of Louie Vega's catalogue
- Groove:
- less groove-driven than 85% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Snow (In The City) in?
Snow (In The City) by Louie Vega is in B major, or 1B on the Camelot wheel.
What BPM is Snow (In The City)?
Snow (In The City) runs at 112 BPM, a mid-tempo track.
What mixes well with Snow (In The City)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Snow (In The City) good for peak time?
With energy 71 out of 100 at 112 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 112 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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