Reach Out
- BPM
- 173
- Half-time
- 87
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 5/100
- Length
- 5:57
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- ISRC
- GBTKW0090332
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in B minor (10A), Reach Out is a drum n bass production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2000 production that still circulates in sets. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Reach Out in?
Reach Out by Ed Rush is in B minor, or 10A on the Camelot wheel.
What BPM is Reach Out?
Reach Out runs at 173 BPM.
What mixes well with Reach Out?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Reach Out good for peak time?
With energy 91 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 173 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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