Tutti Frutti
- Key
- 4A · F minor
- BPM
- 173
- Half-time
- 87
- Open Key
- 9m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:07
- Released
- 2004
- Genre
- Drum N Bass
- Loudness
- -6.1 dB
- ISRC
- GBCJY0477002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Tutti Frutti is a drum n bass track in F minor (4A) at 173 BPM. The feel is bright and euphoric. A 2004 production that still circulates in sets. More underground than 99% of High Contrast's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- brighter than 88% of High Contrast's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tutti Frutti in?
Tutti Frutti by High Contrast is in F minor, or 4A on the Camelot wheel.
What BPM is Tutti Frutti?
Tutti Frutti runs at 173 BPM.
What mixes well with Tutti Frutti?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Tutti Frutti good for peak time?
With energy 91 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 173 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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